Saroja Devi Books Tamil Pdf __LINK__
Saroja Devi Books Tamil Pdf
There was a scene in which his elder daughter Rajadhani Devi and I were to be seen sitting in a lift. But, it was closed while we were in it. It opened while we were going to be seen on screen. Rajadhani Devi sat calmly. I tried to find ways to hide my nakedness and to get out of that lift. I sat in the front and tried to open the door. Rajadhani started to joke. The lift began moving and we were trapped. The lift stopped again and the doors opened. Rajadhani was still sitting calmly, and I was afraid that my nakedness would be seen. So, I squeezed myself in and tried to do my best to hide my nakedness. Finally, I could move out of the lift.
This scene was shot for the first time. By that time, Javert had not yet taken a liking for this movie. He was still finding faults in the shooting process. However, he saw me dance on a swing. He was impressed. He liked my dancing. One day, K. Balachander came to our house. He saw me on the swing. He said, “Makkalanban, you are a good dancer. I like to see a good dancer. I hope you wont dance. Thats a stupid excuse. I am here to tell you this now. I dont want the Laya kali Devi to be heard of in the Guinness Book of World Records. She was the first person to do this.”
When Balachander returned to Chennai, he informed Madanagopal that he had talked to Javert and that he would ensure that the swing scene of Laya kali Devi should not be recorded for the Guinness Book of World Records. There were words between Madanagopal and Javert. Finally, it was agreed that this scene would be shot in just one day.
the seasoned actress b. saroja devi, who began her film career in 1931, is best known for her role in the 1937 film navarathri. a.s.raja, the ace cameraman who directed b.saroja devi’s navarathri had told us that the actress in one scene was caught up in the flow of water running towards her and said that she felt the need to go for a bath in that water to wash away her sins. on realising this, r.l.mathai, who was the assistant director in that movie, asked her to use the water pipe in the studio. her part was shot with this principle in mind as it proved to be a fine example of filming in a positive manner. rama rao who was a second unit director that day remarked, “watch these two shots carefully. these shots are the best examples of how a positive filming technique brings out the best in a scene. if you have done all this and the actor behaves wrongly, it would not show on the screen. the story will be the same even if one has to perform dirty tricks.” he was right! i watched that scene many times. right after my schooling, i did my mbbs and joined the indian railways. even today, when i look back to my childhood days, i feel blessed that i had a chance to see mgr in person.
i was commissioned to shoot a rare film in the 1940s, in which m.s.saroja devi acted. in this movie, there was a scene in which m.rajamma and m.raja used to talk to each other using the windows of the room as a mike. suddenly the door at one of the windows would close. when m.raja would raise his head, he would see his mother, who would be a few feet away and who did not see him too. it was a scene of genius. my friend and mentor raja thirunal valia thambi was the assistant director. he remarked that that scene was truly amazing because when the artiste looked up after realising that she was not there, it was clear that the mike in the room had connected with her.
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