Radio Futura.(Discografia) . 🠊

July 10, 2023

Radio Futura: The Complete Discography of a Spanish Rock Legend

If you are a fan of Spanish rock music, you probably know Radio Futura, one of the most influential and innovative bands in the genre. Radio Futura was formed in 1979 by Santiago Auserón, Luis Auserón, Enrique Sierra, Javier Pérez Grueso and Herminio Molero. They debuted in 1980 with their album Música Moderna, which introduced their eclectic and experimental style, influenced by punk, new wave, reggae and funk.

Radio Futura’s discography spans over a decade and includes seven studio albums, two live albums and a remix album. In this article, we will explore their discography in chronological order and highlight some of their most memorable songs.

Música Moderna (1980)

This was Radio Futura’s first album, released by EMI-Hispavox. It was produced by Herminio Molero, who also played keyboards and synthesizers. The album featured 10 songs that showcased the band’s diverse influences and originality. Some of the songs were sung in English, such as “Divina” and “Interferencias”, while others were in Spanish, such as “Enamorado de la Moda Juvenil” and “Rompeolas”. The album received mixed reviews from critics and did not sell well, but it established Radio Futura as a promising new act in the Spanish rock scene.

La Ley del Desierto, La Ley del Mar (1984)

After a hiatus of four years, during which Javier Pérez Grueso and Herminio Molero left the band and Carlos Velázquez joined as the drummer, Radio Futura returned with their second album, released by RCA. The album was produced by Teddy Bautista and featured 12 songs that marked a significant evolution in the band’s sound and style. The album incorporated elements of reggae, ska, rockabilly and Latin music, creating a fusion that was unique and innovative. The album also reflected the band’s social and political awareness, with lyrics that addressed topics such as immigration, racism, violence and urban decay. Some of the songs that stand out are “Escuela de Calor”, “Semilla Negra”, “La Ley del Desierto” and “La Ley del Mar”. The album was a critical and commercial success, earning Radio Futura several awards and recognition.

De un País en Llamas (1985)

This was Radio Futura’s third album, released by RCA. It was produced by Joe Dworniak and featured 10 songs that continued the band’s exploration of different musical genres and influences. The album had a more polished and sophisticated production than the previous one, with more use of keyboards, horns and backing vocals. The album also had a more optimistic and hopeful tone than the previous one, with lyrics that celebrated life, love and creativity. Some of the songs that stand out are “Han Caído los Dos”, “No Tocarte”, “37 Grados” and “De un País en Llamas”. The album was another critical and commercial success for Radio Futura, consolidating their status as one of the leading bands in Spanish rock music.

La Canción de Juan Perro (1987)

This was Radio Futura’s fourth album, released by RCA. It was produced by Joe Dworniak and featured 11 songs that represented a new artistic direction for the band. The album was inspired by the Cuban and Caribbean music that Santiago Auserón had discovered during his travels to the region. The album had a more acoustic and organic sound than the previous ones, with less use of electric guitars and synthesizers and more use of percussion, brass and strings. The album also had a more poetic and literary quality, with lyrics that were influenced by writers such as Federico García Lorca, Nicolás Guillén and Alejo Carpentier. Some of the songs that stand out are “El Canto del Gallo”, “Paseo con la Negra Flor”, “La Negra Flor” and “La Canción de Juan Perro”. The album was widely praised by critics and fans, who considered it a masterpiece and a landmark in Spanish rock music.

Escuela de Calor. El Directo de Radio Futura (1989)

This was Radio Futura’s first live album, released by RCA. It was recorded during the band’s tour in 1988 and 1989, which celebrated their 10th anniversary. The album featured 16 songs that covered their entire discography, from their debut album to their latest one. The album captured the energy and charisma of the band on stage, as well as their interaction with the audience. The album also included some covers of songs by other artists, such as “Corazón de Tiza” by Radio Futura’s former keyboardist Herminio Molero, “A Cara o Cruz” by Los Rodríguez and “Soy un Animal” by Tequila. The album was a huge success, selling over a million copies and becoming one of the best-selling live albums in Spanish music history.

Veneno en la Piel (1990)

This was Radio Futura’s fifth and final studio album, released by RCA. It was produced by Joe Dworniak and featured 10 songs that showed the band’s maturity and versatility. The album had a more rock-oriented sound than the previous one, with more electric guitars and drums and less Latin influences. The album also had a more personal and introspective tone, with lyrics that dealt with themes such as love, loss, nostalgia and identity. Some of the songs that stand out are “Veneno en la Piel”, “A Cara o Cruz”, “Corazón de Tiza” and “Tal Como Eres”. The album was well received by critics and fans, but it also marked the end of Radio Futura’s career as a band, as they decided to split up shortly after its release.

Tierra para Bailar (1991)

This was Radio Futura’s second live album and their last official release as a band, released by RCA. It was recorded during the band’s farewell tour in 1991, which took them to several countries in Latin America. The album featured 14 songs that were remixed and reinterpreted by the band, giving them a new and fresh sound. The album also included some guest appearances by other artists, such as Fito Páez, Joaquín Sabina and Luis Eduardo Aute. The album was a tribute to the band’s fans and a celebration of their musical legacy.

Conclusion

Radio Futura was one of the most important and influential bands in Spanish rock music. They created a unique and original style that fused different musical genres and influences, from punk to reggae, from rockabilly to salsa. They also wrote lyrics that were poetic, social and personal, reflecting their vision of the world and themselves. They left behind a discography that is rich and diverse, full of songs that are timeless and unforgettable. Radio Futura was more than a band, they were a phenomenon that marked a generation and inspired many others.

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